Photo credit: Reepyk

Hailing from Palermo and heavily influenced by funk and hip-hop, Cristian developed a tribal-infused house and techno style shaped by hardware and soul. His journey has taken him to global institutions like fabric, Amnesia Ibiza, and Scorpios, while his label Descending Order and his new live act project, Cristian Viviano and the Dvmmies, further showcase his range and vision.

In 2025, Viviano embarked on a pivotal new chapter: a residency at Hi Ibiza as part of Damian Lazarus and Black Coffee’s Saturday series. At the same time, he continued to refine his imprint Descending Order and prepared for several standout releases, including collaborations with Adam Ten, Yamagucci, and Made in TLV. Even amidst personal challenges, Cristian remains deeply committed to his art.

In this interview, Cristian shares the magical story behind his new residency, the inspiration behind his remix of ‘The Ultimate Warlord,’ upcoming releases, and how he balances artistry with family life and faith in music.

EG: Hi, Cristian! Welcome to EG. It’s a pleasure to have you back here with us. How have you been? Where are you right now?

Cristian Viviano: HI guys, thank you for having me back on EG! As always, it’s a pleasure to share some thoughts with you. I’m doing well and currently in Sicily with my wonderful family. Taking care of my two kids and watching them grow is truly the most beautiful thing ever; they inspire me so much in my music.

EG: First of all, congratulations on your upcoming residency at Hi Ibiza this summer, which will see you performing at Black Coffee & Damian Lazarus’ Saturdays! You must be stoked about this bit of news. What are some of your thoughts about this? How did it come to happen?

Cristian Viviano: I am thrilled to be chosen by one of my favorite artists of all time, Damian Lazarus! He has always inspired me, and I grew up listening to his music and admiring his artistic vision. I had been sending him my music for years, and then I finally met him in Los Angeles when I played a back-to-back set with Adam Ten. We exchanged a few words, and I promised to send him some unreleased tracks, but I never expected anything like this! You know, the power of music can lead to unexpected moments, and that’s why I believe in it. Some kind of magic happened.

One day, I was contacted on Instagram by Paolo, Damian’s assistant, who asked for my phone number because he wanted to discuss something. Just five minutes later, I received a message from Damian himself, inviting me for coffee. He liked a playlist of demos I had sent and was interested in signing nearly all of them. Then he suggested that I become one of his four residents at his party at Hi.

It was both unbelievable and magical at the same time. I’ve grown accustomed to these kinds of experiences—I always smile when life surprises me with a bit of magic. Someone once said that we create our own magic in life, and perhaps the love I’ve poured into my music is what creates this magic in the air!

EG: What can your fans expect from this particular residency? What would you like for your fans to take away from the experience?

Cristian Viviano: As I always have, my mission is to share music and positive vibes with everyone. I will be doing the warm-up set for the night, incorporating all I’ve learned about creating the right party atmosphere. My goal is to foster a universal message of love and to share sounds that resonate with people’s hearts and souls. I believe this is the most important thing I can do today!

EG: Since we’re congratulating, kudos on the release of your new remix of ‘The Ultimate Warlord’ with The Dvmmies! We really enjoyed this one. What was the creative process for this one like?

Cristian Viviano: It came very naturally. I’ve always loved the original track, so I decided to incorporate it into my DVMMIES live act. The audience enjoyed it so much that I felt compelled to share it with them!

“No matter how hard life gets, keep going!”

EG: And, obviously, this new remix is out via your own imprint, Descending Order. How is the label at the moment? What can we expect from it going down the rest of 2025?

Cristian Viviano: The label is achieving great results and has strong support from the scene. I’m selecting fresh music from talented producers whose work I feature in my sets. The next step is to remain consistent and continue pursuing this direction of fresh sounds, deep melodies, and, of course, music that truly resonates with me.

EG: Since we’re on the releases front, is there anything that you can anticipate in the coming months?

Cristian Viviano: I will be releasing a single titled ‘To Infinity and Beyond’ in June. This track has truly touched my heart since I created it. There will be an original version, an old-school house mix, and a remix by the talented producer Made in TLV, whose more indie take I absolutely love.

In early August, I’ll return to Maccabi House with my single titled ‘Resources,’ featuring a remix from Adam Ten and Yamagucci. This release is going to be very special because Adam and Mita often play it in their sets, and people from all over the world are messaging me, excited for it to be released. As I mentioned before, Damian is planning my releases on his labels, I will release a ‘Rebellion’ EP with three tracks, but I am still waiting for the official release date.

EG: By the way, we know you’re a massive gear lover and have a soft spot for synths and machines…any new additions to the studio since we last spoke?

Cristian Viviano: I love making music as an old-school enthusiast, using drum machines and synthesizers. However, my priorities have shifted, as my family is now more important than gears, and times are getting increasingly expensive. I prefer to save money for my children and stay true to the machines I already have, which I still believe are amazing.

EG: Discussing a broader picture…what do you see as the biggest challenge for artists in the near future?

Cristian Viviano: Nowadays, everything is becoming more expensive, and we are going through difficult times due to what’s happening in the world. However, I believe that when something is meant for you, it will stay alive in some way. Many artists I know have changed their lives to prioritize work, and I understand that it’s not easy to do this without support.

In the meantime, I think that if you pursue your passion with love, you will find the time to create and keep pushing forward. Imagine me raising my two children, often sleeping less at night, and feeling very tired. Their mother has been living with multiple sclerosis since 2012, which adds many responsibilities to my shoulders. Despite this, I always manage to carve out time for music because I know that without it, I would struggle, and I don’t want to dim the light that music brings to my life. I will keep that faith!

I enjoy challenges, and I remember a time when I didn’t have enough time to go to the studio, so I created music from the bathroom of my house using just my laptop and headphones. No matter how hard life gets, Keep going!

“Perhaps the love I’ve poured into my music is what creates this magic in the air!”

EG: Looking forward, what can we expect from Cristian Viviano? Where can your fans catch you next? What are your next scheduled shows?

Cristian Viviano: I have four gigs at Hi Ibiza and a few other shows in Italy. I’m focusing on doing fewer but higher-quality performances. We’re planning some tours starting in September, and my team is working on the details. We’ll share more information soon!

EG: Thank you so much for your time, Cristian! We wish you all the best in the future. Take care!

Cristian Viviano: Thank you, everyone! Wishing you all the best, keep doing what you love with passion, as that’s what feeds the soul these days. Much love!

Cristian Viviano’s ‘The Ultimate Warlord’ is now available on Descending Order. Stream and download here.

Follow Cristian Viviano: Soundcloud | Spotify | Instagram | Facebook

The post Cristian Viviano: “My goal is to foster a universal message of love” appeared first on Electronic Groove.

Photo credit: George Kasradze – Instagram

With no formal music training, Kasradze dove into self-taught production during the pandemic and quickly developed a reputation for evocative, hypnotic sets rooted in dark disco, moody melodies, and melodic techno. His earliest musical background comes from rock and metal, and his DIY spirit still runs through everything he does—from building tracks around emotional energy to forging a minimal but highly functional studio setup.

Today, he splits his time between Tbilisi and Milan, drawing creative inspiration from both cities. His debut album ‘Alone in Tbilisi’ reflects this dual identity, weaving personal narrative into immersive soundscapes. As a DJ and producer, Kasradze brings the same honesty and sincerity to the decks, favoring raw textures and emotional depth over formulaic structures.

In this interview, George Kasradze discusses the evolution of his sound, the importance of emotional connection in music, and what lies ahead for his next chapter—including a new club-focused side project and fresh releases on the horizon.

EG: Hi, George! Welcome to EG. It’s a pleasure to have you here with us. How have you been? Where are you right now?

George Kasradze: Hi! Thanks so much for having me, it’s a real pleasure to be part of EG. I’ve been doing well. Right now, I’m in Tbilisi, working on some projects. I’ve also been bouncing between here and Milan, both cities have been incredibly inspiring in different ways.

EG: First of all, thank you for your recent contribution to our EG Podcast. We really enjoyed your mix. Can you tell fans of the series what to expect on this one? Is there a concept or thread running through the mix? How do you go about planning these kinds of sets?

George Kasradze: Thank you! I really appreciate it. For this mix, I wanted to capture a melodic, emotional energy—a journey through hypnotic and driving rhythms and melodies.

When I prepare these kinds of sets, I spend time curating a selection that reflects where I am emotionally and creatively. I also try to keep it instinctive, while maintaining a strong sense of flow and progression.

EG: Now, getting to know you better…how did you come across electronic dance music? What were your first interactions like? What was it about it that drew you in?

George Kasradze: Music has always been a big part of my life. From a very young age, I listened to a lot of rock and metal bands. I even sang and played guitar in a rock band with friends for a while—that was my first real connection to performing and expressing myself through music. Over time, electronic music slowly entered my world. The more I explored it, the more I was drawn to its depth and emotional power. It felt like discovering a new language.

EG: And from there, what has your path been like? Did you take lessons or get enrolled at a music school?

George Kasradze: From there, the journey has been pretty self-directed. I didn’t go to music school or take formal lessons; everything I’ve learned came from curiosity, experimentation, and countless hours of practice. During the pandemic, I got into music production. I spent a lot of time teaching myself how to use different tools, watching tutorials, and diving deep into sound design and arrangement. DJing came naturally after that—it felt like a way to connect everything I loved about music and share it with others in real time. It’s been a gradual, but very personal process, shaped more by intuition and emotion than by rules or structure.

“I like to explore contrasts: softness and intensity, melancholy and energy”

EG: How would you describe your sound? Are you making the music you thought you’d be making when you first started?

George Kasradze: I’d describe my sound as emotional, dark, and hypnotic—a blend of melodic textures, driving rhythms, and moody atmospheres. There’s often a strong sense of tension and release. I like to explore contrasts: softness and intensity, melancholy and energy.

When I first started, I had no clear idea of what kind of music I’d end up making. I was just experimenting and following what felt right. Over time, my sound naturally evolved, but I still try to keep that same open, curious mindset. So no, it’s not exactly what I expected—but that’s exactly what makes the process exciting.

EG: Where do you go for inspiration? Are there any colleagues who inspire you or ignite some form of inspiration?

George Kasradze: Inspiration can come from so many different places—it’s not always musical. Sometimes it’s a film, a certain mood, or even just the atmosphere of a city I’m in. For example, my album ‘Alone in Tbilisi’ was entirely inspired by my lovely hometown.

Of course, other artists and colleagues inspire me a lot. I’m lucky to be surrounded by talented people. I really value those quiet exchanges—sharing demos, ideas, or just talking about music. It’s those moments that keep the creative energy flowing.

EG: So, what does your studio look like at the moment? Any favorite pieces of gear? Are you more into hardware or software?

George Kasradze: My studio setup is pretty minimal but focused. I like to keep things simple and efficient. I work mostly in the box, so I’d say I lean more toward software overall, but I’ve also spent time experimenting with different analog gear. Right now, I occasionally use the Model D and the TD-3 Bass Line as my main hardware pieces. When it comes to plugins, some of my favorites are Serum, Diva, Pigments, ANA, Portal, Soundtoys effects, and the FabFilter bundle—they’re essential tools in my workflow.

EG: Since we’re in the studio…is there anything that you can anticipate in terms of releases?

George Kasradze: Yes, there are a few things in the pipeline that I’m really excited about. I’ve been working on new material, but I can’t share too many details just yet. What I can say is that there’s definitely new music on the horizon—both solo work and a few collaborations. Stay tuned!

“Everything I’ve learned came from curiosity, experimentation, and countless hours of practice”

EG: Looking forward, what can we expect from George Kasradze? Any new projects?

George Kasradze: Looking ahead, I’m focusing on releasing new music and continuing to develop my main project, but I’m also preparing to introduce my new side project—a more raw, club-oriented alias focused on blending italo body/dark disco, EBM influences with raw trancey and housey textures, all wrapped in a heavy dose of synth-driven emotion.

EG: Thank you so much for your time, George! We wish you all the best in the future. Take care!

George Kasradze: Thank you so much for having me—it’s been an absolute pleasure! I really appreciate the thoughtful questions and the opportunity to share a bit of my journey. Wishing you all the best as well.

EG.1025 George Kasradze is now available on EG platforms. Listen  here.

Follow George Kasradze: Soundcloud | Spotify | Instagram | Facebook

The post George Kasradze: Letting intuition lead the way appeared first on Electronic Groove.

Now based in Buenos Aires, James’  latest chapter unfolds with rekindled passion. In this wide-ranging conversation, Electronic Groove dives into the mind of a modern-day polymath, discussing the philosophy driving his teaching, psychedelics, the evolving role of AI in music, MYT, the inspiration behind his most recent release with Brent Lawson, and more.

EG: Hi Paul! Thank you for being here with us today. It’s a pleasure to catch up, especially to do so in your new home in Buenos Aires. How’s the experience treating you so far?

PJN: I was in LA from 2015 to 2017, and went back and forth between the US and England, and this experience here in Buenos Aires feels different. I feel like I’m setting up my future, essentially…you know? I’ve been here for a year, and I’m 45 now. So shit kind changes…time changes your perspective. But the good news is that Carl Jung is kinda right, life really starts after you’re 40. In both good and not-so-good ways.

EG: Well…speaking about Jung. From seeing your posts on social media and our conversations, one can immediately tell that you’ve taken an interest in the “human condition”, trying to really grasp our experience here and now. And not only that, but our interactions with psychedelics…

PJN: Oh, yeah. They have been a big part of my life, and still are. Although this past year, most of my “peak” experiences have been with MDMA. So it’s been a bit different, but the whole thing is still an inside job. Intention is everything. You’ve got to go into it with the right reverence and respect for it. Right? And also, the right reverence and respect for yourself. In that sense, to me, they are not to be fucked with…you know? I’ve seen countless people come with a lack of those, and it’s always them who end up with “bad trips”. Which, in all honesty, I don’t think that there’s such a thing. There are only challenges.

We shape the quality of our own experiences. So you can either be in power and deal with what will come with some form of serenity, or you can be out there forcing things, trying to make the square peg into the round hole.

EG: Going into the backstory of the artist…How did you get into DJing? What was it like when you got into it?

So, I had a friend who invested in probably the worst set of turntables to this day…they were a pair of Ariston turntables, which as you know, is a brand that is known to make fucking dishwashers and home appliances. The belt drive was terrible to begin with, but the worst part was that the pitch control was only like +2/-2, and it was this fucking dial. You just could NOT touch the platter. An absolute nightmare, but it was a great way to learn in the end. If you could mix on them, you could mix on anything. So, he went on holiday, and let me borrow them, and that was it. It just clicked. I always tell my students and friends that, if they can, learning to DJ with vinyl goes a long way in that sense.

In 1998, I went to university, and I was a part of the last intake of students under the old system, which meant I got money from the Government to attend. So, I got money for “books”, and by that, I mean my first set of Technics.

And also, that moment in time, 1993 to 1997…I’d say that was the pinnacle of it all, in terms of the culture or counterculture. Roni Size & Reprazent had won a Mercury Prize for their debut studio album ‘New Forms’; you had Massive Attack’s ‘Mezzanine’; Faithless; UNKLE’s ‘Psyence Fiction’; ‘Fat Of The Land’ by The Prodigy, and Chemical Brothers’ ‘Dig Your Own Hole’…Which I probably rank as the greatest electronic album of all time.

EG: And how does MYT come about? When do you step into the role of a teacher? What was it that made you want to pursue a career where you uphold others?

PJN: MYT came about as a logical extension of my teaching work. I’ve been a teacher of music production since 2008, and simply put, it’s one of the things, alongside DJing and production, that I was put on this earth to do. After many years teaching in various establishments, private institutions, colleges, universities, etc, I went freelance as a 1:1 tutor, and after a few years, I started to get a little burned out and frustrated with the impact I was having.

I asked myself if there was a more efficient way to reach more people, build a community at scale, and yet, keep things intimate, as the more humanistic side of what I do as a developer of artistic talent has always been what I loved the most, and honestly, makes the most difference to an artist, their creative output and their lives.

In September 2019, I launched MYT as a community product with online courses, a supportive container to incubate the talent of tomorrow. We started strong in terms of numbers, and then, when the pandemic hit, numbers skyrocketed. I was full-time on MYT from that moment on, thankfully, and the worst set of circumstances actually created the conditions for me to rapidly build MYT as a business. We’ve just turned 5 and a half years old, and the success has been insane. It’s an amazing feeling to watch the artists we’ve developed in that time go and walk on their own, and when they’ve had as much success as the likes of Massano and Four Candles, I also feel that amazing vindication of our methods, perspectives, values, and approaches work. They REALLY work.

“[…] the more humanistic side of what I do as a developer of artistic talent has always been what I loved the most, and honestly, makes the most difference to an artist […]”

EG: In your opinion, as a teacher, how important is it to have meaning behind what we create?

PJN: I think it’s all about finding the correct balance. One of the things I’m most proud of is that not only do I have an association, but I also have a very strong friendship with my musical hero, Sasha. And I remember that we were working on one track in the ‘Scene Delete’ album, and I was just going in too deep, so I asked Sasha what it was that we were doing, what the track was about…and he just looked at me and said: “Oh, fuck you Paul. Just shut up and write it”. That, there and then, was a great lesson. It’s OK to just do it and find its meaning later. But I also know that you gotta put that work in, sooner or later. You can’t just keep calling your tracks “Tunnel”, or “Fragments”, or whatever you open your fucking dictionary to.

EG: How do you navigate all these technological advancements, like AI, with your students?

PJN: Well, the paramount question here is “how do I get the most out of ME?”. And the truth is that there are some great tools out there, like the ones used for stem separation, or to “suggest” similar samples. These, for example, enable me to sort of “reverse engineer” how some of the reference tracks that my students bring were made. So, if these things are empowering me as a teacher or as a creator…then, welcome. But, I’d say that the vast majority of the things AI has to offer, they don’t do that. As soon as they do the work FOR you, then…well, fuck that.

EG: Now, keeping in line with the “studio” chat…You’ve got your new EP out, ‘Ethereal Pulse’, a collaboration with Pro B Tech Music’s Brent Lawson, which also features remixes by Hernán Cattáneo & Mercurio, and Martin Gardoqui. Congratulations! How are you feeling about this one? How did it come about?

PJN: Brent is a dear friend and someone I’ve mentored on and off over the years. It’s been amazing to see the slow and steady rise of Pro B Tech Records over the last decade, and Brent is a top-notch example of consistency and doing it for the love.

The funny thing with ‘Ethereal Pulse’ is it was a track that we fucked around with for a couple of years, and we went back to the drawing board several times, without putting any expectation or pressure on it to be like “a thing”, you know?

When we finally nailed it last year and got the vibe we wanted, Brent suggested we send it to Hernán, and to our surprise, Hernán loved it so much he wanted to remix it, and boy, did he and Mercurio do a job on it. It’s one of the cleverest, most beautiful remixes I’ve heard, certainly on the tracks I’ve produced in years gone by. It’s got an amazing old school feel, and with how Hernán and Mercurio have twisted and repurposed some of the musical ideas from, say, a synth to a Rhodes piano, it gives me serious vibes of ‘Knights of The Jaguar’ aesthetically, but done in a very tasteful modern way. Epic.

EG: What would you consider a “successful” collaboration? What are some of the tips you give your students in this particular regard?

PJN: A successful collaboration is one where the people involved have complementary skill sets. If one of you is great at arranging and the other is better at sound design, then you have a match made in heaven. Successful collaboration is about learning from the process and each other, and in the end, that creates even better art, as nothing fuels inspiration more than seeing someone you are working with create in a way that fires something in you, and helps you round off your skillset. Think very carefully before you respond to the next “collab bro?” DM you get on Instagram. Haha!

“Successful collaboration is about learning from the process and each other, and in the end, that creates even better art […]”

EG: What’s next for Paul James Nolan? What can we expect from you and MYT in the coming months?

PJN: We have an insane amount of amazing music coming from our members on MYT’s record label, Emergent Properties, and some brilliant remixes. We’re increasingly bringing some of the bigger names in electronic music to the label as a way of highlighting the talent we’ve been incubating, so soon we have epic remixes coming from Gai Barone and Luca Abayan, and we’re working on some other big hitters.

I’m excited to re-release my album from a couple of years back, ‘Dissolve’. This is a project very close to my heart, an album that both expresses my own story, as well as helping people navigate psychedelic experiences. We’re releasing it on Emergent Properties, as well as a remix album with some amazing dance floor-based reinterpretations of these very ambient but intense tracks.

Outside of this, expect a lot more in the way of DJ gigs and tours, both inside of Argentina and internationally.

Paul James Nolan & Brent Lawson’s ‘Ethereal Pulse’ is out now via Pro B Tech Music, featuring remixes by Hérnan Cattáneo & Mercuio, and Martin Gardoqui. Purchase your copy here.

Follow Paul James Nolan: Soundcloud | Spotify | Instagram | Facebook

The post Paul James Nolan: “We shape the quality of our own experiences” appeared first on Electronic Groove.

Photo credit: Sisko Electrofanatik – Official

A prominent figure in the global techno scene, Sisko is renowned for his peak-time techno sound and genre-fluid productions that encompass progressive, acid, electro, and downtempo styles.

Released on his own Gain Records label, ‘Starboy’ is a 15-track journey that reflects Sisko’s sonic evolution. The album showcases his versatility and commitment to club-ready yet emotive techno, featuring vocal collaborations, acid-tinged beats, and hypnotic cuts. Beyond music, Sisko continues to elevate new talent through Gain Records and its sublabel Gain Plus, while performing across Europe and serving as a sound designer and radio collaborator.

In this interview, Sisko reflects on his 20-year milestone, the making of ‘Starboy’, the challenges of the modern music landscape, and his vision for the future of Gain Records and techno itself.

EG: Hi, Francesco! Welcome to EG. It’s a pleasure to have you here with us. How have you been? Where are you right now?

Sisko Electrofanatik: Hi, it’s my pleasure to be back here on EG. Right now, I’m in my hotel room for a weekend gig in the Netherlands.

EG: Let’s dive in! Congratulations on the release of your new studio album, ‘Starboy’! You must be stoked to finally be able to share this one. What are some of your initial thoughts? What has the reception been like so far?

Sisko Electrofanatik: Thank you, yes, I was really stoked to share it! The album has received massive support from people like Carl Cox and Joseph Capriati. Tracks like ‘Syntagma’ have already climbed high in the techno chart on Beatport, and the album’s got a good response from the streaming sites.

EG: More than an album, ‘Starboy’ is a landmark, celebrating your 20-year career. Again, congratulations on such a massive feat. Looking back, were you expecting to be involved with music for such a long time when you first got started? Have you achieved what you wanted to yet?

Sisko Electrofanatik: Thanks, yes, I’ve achieved lots of the things I wanted to, as my record label is very successful, and I’ve travelled the world as a headline DJ. I have also released my music on some amazing record labels, and met so many incredible people. I’ve always loved electronic music, and I’m honoured to have made a career out of it, but I still have more things I want to achieve.

EG: Now, diving into the record, what can your fans expect to find on ‘Starboy’ throughout its 15 cuts?

Sisko Electrofanatik: ‘Starboy’ is a real journey, totally dedicated to the club, and is a mix of techno genres including peak time, raw, underground acid, and melodic vocal tracks. Every track means so much to me, and I spent a long time refining every detail.

“Many people burn out before they find success”

EG: And what was the recording process like? Did you have a clear-cut vision for ‘Starboy’ from the very beginning? What was it like collaborating with Lory and Leah Rose?

Sisko Electrofanatik: I started thinking about the album because I wanted something that would celebrate the 10 years of my record label, and my 20 years career as DJ/producer. I made around 40 tracks, and selected the best ones for the album.

The collaboration with the singers were amazing, and very inspirational! ‘Get lost’ was born when I invited Lorena aka Lory to my studio, and she recorded some lyrics she had written. We have made a few tracks together, and I decided the album was the best place to release our first collaboration. I wanted the album to have a mix of styles, and a melodic house sound for ‘Get Lost’ was perfect for this.

The track with Leah Rose, ‘Elements’ started as an instrumental, then I discovered Leah, and she had an idea for a vocal, which took the track to another level.

EG: And ‘Starboy’ is available via your own Gain Records, which must also be a high point for you, personally. What can we expect from Gain Records moving forward? What would you like to accomplish with the imprint in the next 5-10 years?

Sisko Electrofanatik: I always wanted to release my album on my own label. Gain Records is one of the most successful peak time techno record labels in Italy, and I want to owe a big thanks to all artists and fans that follow us. It’s their belief in my sound that has made it such a successful project, and they inspire me to keep pushing it forwards.

Gain is an outlet to express my interpretation of modern-day peak time techno, and in the next year we will present a new compilation, which is dedicated to the evolution of techno sounds. The sister label, Gain Plus is for the techno sub genres, and there is also a special vinyl series, plus some showcase events that I will announce soon.

EG: Now, stepping outside of the studio for a bit…What do you see as the biggest challenge for established and rising artists in the next few years?

Sisko Electrofanatik: The biggest challenge to emerge within the music scene is this “Social Media Pot.” Established artists have social media accounts with a lot of followers, and that helps consolidate their fans. Big artists have a lot more visibility and can use their own pages as promotional tools. It can be hard to invest time into making social media content, and still find time to be in the studio working on music. So, lots of the big artists pay someone to look after their social media accounts for them.

Rising artists normally cannot afford to pay someone to manage their social media, and it’s very hard to build an online following, while also spending time making music. I notice that many people burn out before they find success, and people can get mental health problems as a result. I wish that it was like the old days, where you just had to make good music, but these days you need to be good at making music and also good at social media. This makes me sad, as it’s so much harder for new artists to find success, and why Gain has a focus on helping new talent.

“I’ve always loved electronic music, and I’m honoured to have made a career out of it”

EG: Looking forward, what can we expect from Sisko Electrofanatik? Where can your fans catch you next? What are your next scheduled shows?

Sisko Electrofanatik: You can still expect me to release as much quality music as I can, and after the album I’ve got a busy schedule including both original music and remixes.

I have original tracks signed to OFF Recordings, and Rave the Planet. I also have a collaboration with an “old-school” artist that I will announce soon. Later in 2025, I will be curating a remix package of my album, which will come out at the end of the year.

You can also catch me all over Europe this summer, as I’ve got lots of gigs in Italy, Spain, Greece, and Germany, that I will soon be announcing dates for.

EG: Thank you so much for your time, Francesco! We wish you all the best in the future. Take care!

Sisko Electrofanatik: Thanks, we are what we play, and I hope people enjoy my new album ‘Starboy’, which is out now on my record label Gain Records.

Sisko Electrofanatik’s ‘Starboy’ is now available on Gain Records. Stream and download here.

Follow Sisko Electrofanatik: Soundcloud | Spotify | Instagram | Facebook

The post The sound of two decades: Inside ‘Starboy’ with Sisko Electrofanatik appeared first on Electronic Groove.

Photo credit: Sideral – Instagram

With a new name and a renewed purpose, his return is marked by his involvement in Mind Against’s label HABITAT, where he debuted the collaborative single ‘Criseide’ and later followed with the defining EP ‘Trills’. Sideral represents not only a sonic evolution, but also a personal rebirth after years away from music and moments of self-doubt.

Rooted in family tradition and ignited by early exposure to Italy’s electronic scene, Sideral brings emotion, vision, and timelessness into his productions. Having played a key role in launching HABITAT and reigniting his own artistic flame, he now looks forward to an impactful summer, including sets at Audioriver and Tomorrowland.

In this interview, Sideral opens up about the journey from Bastinov to Sideral, rediscovering his voice, collaborating with Mind Against, and why he believes music still has the power to break boundaries.

EG: Hi! Welcome to EG. It’s a pleasure to have you here with us. How are you? Where are you right now?

Sideral: Hi everyone, it’s a pleasure to be here! I’m doing very well; I’m living a very serene period of my life, still in Italy, in Treviso.

EG: So, things have been quite intense since you evolved from your alias Bastinov to Sideral… How did that decision come about? What motivated you to take this step?

Sideral: I think the evolution has been personal; I would say it’s the evolution of Diego rather than Bastinov or Sideral. Even back in the days with Etruria and Luca Agnelli, I had in mind to create a parallel project, but I didn’t feel ready at that moment.

During COVID, I had the chance to pause for almost two years and reflect on what I wanted to do. I had lost hope, I was doing another job, and I never imagined I would come back stronger than before. I feel grateful for the journey I’ve had with Luca Agnelli because he was the first person to believe in me and to take me to the best clubs in Italy. Those were seven very important years!

EG: And, going back to your early years… How were your first interactions with electronic dance music? Was it an immediate spark?

Sideral: I consider myself lucky because I was born and raised in a family where music is our daily bread. My father, Bruno, is a classical guitar musician specialized in Flamenco. I remember waking up every morning to my father practicing, so he instilled in me the love and passion for music.

I got into electronic music thanks to my sister, who back in 2003/2004 was a PR at a very famous club in Italy, AIDA in Jesolo Lido. In short, she would bring me CDs with electronic techno music, and it’s also thanks to her that I began dreaming of being part of this world.

EG: From that moment on… when did you start DJing and producing? Who inspired you to do it, and how was that journey?

Sideral: I started getting into DJing at private parties in 2008; the first somewhat serious event I did was on August 31, 2009, when I was 17. However, I had already started to get interested in production because I felt the need to express myself, being a very introverted and shy guy.

Except for the two years of COVID, I’ve always been in the studio every day, continually improving, making mistakes, and trying again.

“I was born and raised in a family where music is our daily bread”

EG: And now you have the opportunity to collaborate with artists like Mind Against and be part of their label HABITAT. How did that relationship come about?

Sideral: Mind Against has always been a point of reference for me; I feel like I’m in the right place because I know they’ve also made many sacrifices to get where they are now. For me, they are an example—even before I knew them and worked with them. Personally, I have achieved a goal I set for myself a long time ago, and I am proud and honored to be working with them.

I first contacted Mind Against during a time when I felt lost; it was in 2021. I was doing a job that didn’t resonate with me, and I had almost abandoned music, but I felt I still had something to say. I wished Freddy Mind Against a happy birthday on Facebook, and he replied almost immediately. That’s when I sent him a demo track called ‘Criseide’. Soon after, Federico told me they were considering launching their own label and asked for my thoughts. I couldn’t believe it—I was overjoyed.

They gave me the energy and strength to take my life back into my own hands and shine again.

EG: Creatively speaking, what fuels your music? Are you creating the music you thought you would make when you started producing?

Sideral: Creatively speaking, I have never thought about anything. I don’t like to set limits for myself. I need to enter the studio to vent and let go. What helps me in the studio is my vision; I tend to focus on making tracks that break boundaries but can also stand the test of time. This is the only limit I impose on myself. It’s not as simple as it sounds, of course, because I don’t always have the same attitude in the studio—but that’s also what makes it beautiful. Not knowing what type of track will come out of the computer tomorrow really stimulates me.

EG: For many artists, their personal life tends to “inform” their music and their relationship with it. Is that true for you as well?

Sideral: Yes, of course. In some ways, I feel different from years ago; I can manage my emotions better, and that probably reflects in what I do in the studio. The process of evolution is necessary for me, but I feel like I’m only at 50% of my potential.

EG: Speaking of a broader picture… what do you see as the greatest challenge for artists in the near future?

Sideral: I feel that somehow the threshold of attention and listening is getting shorter and shorter. The challenge, in my opinion, will be to create tracks with a shorter and more immediate arrangement but still with strong content. This can positively reflect on social networks, which are an increasingly fundamental territory for an artist’s growth.

“Not knowing what type of track will come out of the computer tomorrow really stimulates me”

EG: Looking ahead, what can we expect from Sideral? Where can your fans find you soon? What are your upcoming scheduled concerts?

Sideral: I believe you can expect music from me that is colorful, genuine, and sincere. Because, for better or worse, that’s who I am too.

Soon, I will have some very important dates, such as Audioriver Festival in Poland on July 11 and Tomorrowland Belgium on July 19.

EG: Thank you so much for your time! We wish you all the best for the future. Take care!

Sideral: Thank you very much for the opportunity! A hug!

Sideral’s ‘Grace’ is now available on HABITAT. Stream and download here.

Follow Sideral: Soundcloud | Spotify | Instagram | TikTok

The post Sideral: Reclaiming life, sound, and the dancefloor appeared first on Electronic Groove.

Photo credit: Casey Lazonick

A former professional basketball player turned self-taught producer and DJ, BEKEFI has carved a name for herself within London’s queer dance scene with music that fuses emotional depth and dancefloor drive. Her style is versatile and raw, yet polished with an unmistakable sense of authenticity.

Now launching SOAK—a new queer party and record label—BEKEFI makes her curatorial debut with the ‘Also Me’ EP, a trilogy of releases born from a deeply personal and artistic space. The first single ‘Ascend’ has already laid the foundation for what SOAK stands for: rebellion, freedom, and emotional resonance. Through music and movement, BEKEFI invites listeners to embrace imperfection, welcome vulnerability, and revel in community.

In this interview, BEKEFI opens up about the roots and mission of SOAK, her creative philosophy, and her hopes for a more inclusive and sustainable future in dance music. From martial arts and mindfulness to grassroots club culture and crying on the dancefloor, she reminds us that authenticity is the ultimate rebellion.

EG: Hi, BEKEFI! Welcome to EG. It’s a pleasure to have you here with us. How have you been? Where are you right now?

BEKEFI: Hiya, thank you so much for having me. I am really good, thank you. Life has been super busy lately, but I am enjoying the ride. I am in London at the moment, working on some music in my studio.

EG: First of all, congratulations on the launch of your label and event series, SOAK. You must be thrilled. What does this mean to you on a personal level? What are some of your initial feelings?

BEKEFI: Thank you! Since I can remember, music has been an essential part of my being. Music was always in the background. My great-grandpa was a violinist, and my grandma’s brother was a DJ back in the day. As a toddler, I was always dancing and moving, and I was fascinated by classical music and Madonna.

Growing up, sports kind of took over. I was scouted by a basketball team at age 14 and moved 300km away from home, and then I soon became a pro basketball player. Meanwhile, I’ve learned to play the guitar and never stopped thinking about creating and DJing, and that’s why SOAK means so much to me. Anyone who knows me knows how much I care about music and dance culture. I truly believe grassroots events are the way forward for the club scene, and I am happy I can contribute.

EG: So, what does SOAK stand for as a whole? What motivated you to create SOAK?

BEKEFI: SOAK is KAOS spelled backwards. (My fiancè was the mastermind behind the name). We were at a party dancing one day, and I had this thought. What is KAOS backwards? It’s SOAK. And it made perfect sense. SOAK as a label and party is a nod to experimental soundscapes, freedom, and rebellion. I wanted to create something that I can pour my heart and soul into, and it feels authentic to go with the name and the concept.

EG: By the way, congratulations on the release of ‘Ascend’, SOAK’s first release ever! Why did you decide to have ‘Ascend’ as SOAK’s first release?

BEKEFI: I wanted to put ‘Ascend’ first because of what it represents to me spiritually. ‘Ascend’ has its own meaning with rising, and with the whole release, I was trying to rise above fears and expectations. So it felt like a perfect start.

“I truly believe grassroots events are the way forward for the club scene, and I am happy I can contribute”

EG: And now you’re behind the drop of its follow-up, ‘Also Me’. What can your fans expect to find on this new single? What’s ‘Also Me’ all about?

BEKEFI: ‘Also Me’ is all about letting go of expectations and putting music into a different context rather than focusing on music that has the perfect drop or is made for the club. ‘Also Me’ is a true representation of what felt right in the moment of creating music. ‘Also Me’ features 3 versions of 3 songs. An intro, a breaks mix, and an original mix.

EG: Looking into a distant future. What would you like for SOAK to accomplish, both as a label and a collective?

BEKEFI: In the distant future, I hope to have inspired people via the label by putting out music that resonates with people. Helped emerging artists rise, by giving them a platform to play and also a platform to release music on. Put on a party that paved the way with integrity. Also, a party that has “crying on the dancefloor” moments, because nothing compares to the feeling of euphoria when you listen to music.

EG: Stepping outside of the studio for a bit…what drives BEKEFI aside from music? What inspires you these days?

BEKEFI: If it’s not music, it’s movement. I love martial arts these days (boxing in particular), any flow type of movement, like animal flow or yoga. I feel super connected to myself when exercising. I also draw inspiration from nature and the small things in life. Like how sunshine feels on my skin. Weird, but it truly inspires me. I also love just sitting down and listening to a whole album.

EG: Now, what do you see as the biggest challenge for the music industry in the next few years, and how do you think artists can adapt?

BEKEFI: In the current state that the world is in, I feel like there are multiple challenges to tackle. One being financial, small clubs closing because of rising costs. I think the way to tackle it is to just go to your local smaller clubs, try to trust that you’ll find amazing talent there. It sometimes takes maybe 100 people over the weekend to keep an iconic local club alive. That’s where the heart of the club scene is. In terms of artists, what most people don’t think about is how you can support the artist you listen to on a daily basis. If you go onto someone’s Bandcamp account and purchase their song, they will straight away receive the funds, whereas if you listened to them every single day for a whole year. They would receive in total £0.11/month. It goes a long way to buy someone’s record that they put so much effort into.

Another huge challenge is the safety of the queer scene in the world. Especially trans folk and people of color. I truly believe that promoters, club owners could and should provide a safe space and pave the way.

“I wanted to create something that I can pour my heart and soul into”

EG: Looking forward, what can we expect from BEKEFI in the coming months? Where can your fans catch you next? How does the story of SOAK continue?

BEKEFI: There are some absolutely incredible things happening. Working on my new album has been such a joy, and my future gigs are super exciting as well. To mention one, that’s a huge milestone is SOAK at fabric London on the 15th of June.

EG: Thank you so much for your time, BEKEFI! We wish you all the best for the future. Take care!

BEKEFI: Thank you so much for having me.

BEKEFI’s ‘Also Me’ is out now on SOAK. Stream and download here.

Follow BEKEFI: Soundcloud | Spotify | Instagram

The post Authenticity is rebellion: A conversation with BEKEFI appeared first on Electronic Groove.

Photo credit: Juanito – Official

Backed by support from tastemakers such as Jamie Jones, Matthias Tanzmann, Nicole Moudaber, and Nic Fanciulli, Juanito has carved out a signature sound built on groove, energy, and Iberian flair.

His latest release, ‘We Don’t Play’, is a collaborative effort with Malaga-based artist Angel Heredia. Released via Spanish imprint And Dance, the track blends crisp percussion, a chopped vocal hook, and a bassline engineered for dancefloor pressure. With over 3 million Spotify streams and 32 Beatport Top 100 tracks, Juanito continues to push his sound worldwide, supported by a tireless touring schedule and a dedication to authenticity.

In this interview, Juanito opens up about his creative process, what it’s like collaborating with Angel Heredia, the challenges facing modern artists, and how he stays grounded in an ever-evolving industry.

EG: Hi, Juanito! Welcome to EG. It’s a pleasure to have you here with us. How have you been? Where are you right now?

Juanito: Hey! Thanks for the warm welcome! I’m doing great, just catching a bit of rest before heading to London. I played yesterday in Montélimar (a city in the same region as Lyon) for an open air and it was amazing. Now, I’m in Montpellier, enjoying the calm before the next gig.

EG: First of all, congratulations on the recent release of your latest collaborative single, ‘We Don´t Play’. What has the initial reception been like so far?

Juanito: Thanks so much! The reception has been really positive so far. We’ve received support from great artists like Tony Romera, Marc Maya, and George Privatti, as well as from the Beatport team with a big banner and several features. We reached top 5 in the hype tech house chart. Also, it’s been getting some good playtime on the dancefloors. It feels great to see people enjoying the energy and vibe we put into the track. I’m excited to see how it continues to evolve!

EG: Now, ‘We Don´t Play’ finds you linking up with Angel Heredia. What can your fans expect to find on this new cut?

Juanito: Yes, teaming up with Angel Heredia on this one was a great experience! With ‘We Don´t Play’, we’ve really aimed to create something that hits hard on the dancefloor but still keeps that groove and energy flowing. Fans can expect a blend of driving percussion, infectious basslines, and a catchy vocal hook that gives it that special vibe. It’s definitely designed to keep the crowd moving, with a little touch of our personal style coming through. It’s fun, it’s energetic, and we’re both really proud of how it turned out!

EG: And how did the connection with Angel come about? What was the creative process for ‘We Don´t Play’ like?

Juanito: Angel and I have known each other for a while, and we’d been talking about doing a collab for some time. We finally made it happen by bouncing ideas remotely — trading grooves and basslines until we locked in the right vibe. From the beginning, we knew we wanted something raw, punchy, and made for the club. Angel laid down a solid foundation, I added my touch with some new elements, and he wrapped it up with killer vocal processing and effects.

One thing that really shaped the track was our focus on groove first — we spent a lot of time locking in the drums and bass to make sure it hit hard in the club. We also played around with distortion and saturation to give the low end more grit and attitude. The vocal was chopped, processed, and layered with FX to create that bold, hypnotic hook. It wasn’t about overloading the track, but making every element count — raw, tight, and straight to the point. The whole process felt really fluid, and we’re both really proud of how it turned out. It was great to collaborate and combine our individual styles into something that really works on the dancefloor.

“The key is carving out your own space, building a loyal fanbase, and staying consistent without compromising your vision”

EG: We know you just shared a carousel on Instagram containing a lot of unreleased music. Is there anything that you can anticipate on that front?

Juanito: Yes, I’ve been teasing some of the unreleased stuff on Instagram! There’s a lot of exciting new music in the works, and I can’t wait for everyone to hear it. I’ve been working on a mix of tracks, some with a bit of a deeper groove and others with more energy, so you can expect a nice variety. I’m always trying to keep things fresh and unpredictable, so there’s definitely some surprises coming. Stay tuned for more details soon!

EG: Now, you’ve been doing this for quite some time, but we’d like to go back to the start. How did you first connect with electronic dance music? What were those first interactions like?

Juanito: I was definitely immersed in the scene early on, as my parents and sister used to go out to parties. So, I was exposed to that world pretty quickly. But the real turning point came the first time I stepped into a club. I remember I was hit with such an intense vibe from the DJ playing that I was like, “This is what I want to do!” That moment really sealed the deal for me, and it’s been my passion ever since.

Seeing people lose themselves in the beats and rhythms gave me a sense of purpose, and it pushed me to dive deeper into DJing and production. From there, everything just started falling into place, and I began to find my own style. It’s been an amazing journey ever since!

EG: And what sort of things fuel you to get back in the studio? Any quirks or rituals to get things going?

Juanito: There’s definitely a few things that fuel me when I get back in the studio! I think what really drives me is the excitement of creating something new and fresh. I always feel that rush when I sit down and start working on a new idea. The creative process is what keeps me coming back. As for rituals, I wouldn’t say I have anything to set in stone, but I do have a habit of starting with a small loop—usually just a kick and bassline—to get the vibe going. I also love experimenting with sounds and textures early on to see where the track can go. Sometimes I’ll take a break, clear my mind, and listen to some music to get inspired. That always helps me approach my music from a new angle. And honestly, I’m fueled by the idea of sharing what I create with people, knowing it’ll be something that connects with the crowd. That’s a huge motivator!

EG: With all your experience…what would you say is the biggest challenge for artists in the coming months or years?

Juanito: The biggest challenge for artists in the coming months or years is definitely staying authentic while navigating the rapidly changing landscape of the music industry. With trends shifting so quickly, it’s easy to get caught up in what’s popular and lose sight of what makes you unique. The challenge is finding that balance—staying true to your style and artistic vision while also adapting to new technologies and audience expectations.

Another challenge is the oversaturation of content. Everyone has access to the tools to produce music now, which is amazing, but it also means there’s a constant flood of releases. Standing out amidst that can be tough. The key is carving out your own space, building a loyal fanbase, and staying consistent without compromising your vision.

Lastly, the pressure of mental health and burnout is something that isn’t talked about enough. The grind of constantly producing, touring, and staying relevant can take a toll. It’s important for artists to find a healthy balance between their career and personal well-being to avoid burnout and keep the passion alive.

“Seeing people lose themselves in the beats and rhythms gave me a sense of purpose”

EG: Looking forward, what can we expect from Juanito? Where can your fans catch you next? What are your next scheduled shows?

Juanito: As for shows, I’ve got a gig in London this weekend that I’m super hyped about, followed by a few more dates across Europe. I’m also in the final stages of securing my U.S. visa—so fingers crossed—I’ll be heading Stateside soon for my very first tour there, which I’m genuinely excited about.

On the music side, we’re currently planning out my releases for the next six months, and there’s a lot I’m really looking forward to sharing.

So yeah, lots of new music, gigs, and surprises coming up. Stay tuned—and hopefully I’ll see you on a dancefloor somewhere soon!

EG: Thank you so much for your time, Juanito! We wish you all the best in the future. Take care!

Juanito: Thank you! It’s been a pleasure chatting with you. I really appreciate the support over the years and I’m excited for what’s to come. Take care, and hopefully we’ll cross paths soon!

Juanito’s ‘We Don´t Play’ is out now on And Dance. Stream and download here.

Follow Juanito: Soundcloud | Spotify | Instagram | Website

The post Juanito: “I’m always trying to keep things fresh and unpredictable” appeared first on Electronic Groove.

Photo credit: Stefan Rose – Official

Born in the United States, raised in Belgium, and now splitting his time between London and New York, the producer and DJ continues to evolve both on and off the dancefloor. With his latest EP ‘Abyss’, out soon via Dear Deer, Stefan turns personal loss into cathartic energy, delivering a high-intensity two-tracker that captures his new creative chapter.

In this interview, Stefan Rose opens up about his process, the meaning behind the new EP, and what’s next on the horizon—from Southeast Asia to Spain.

EG: Hi, Stefan! Welcome to EG. It’s a pleasure to have you once again here with us. It’s been some time. How have you been? Where are you right now?

Stefan Rose: Thank you for having me, and nice to be with you guys! I’ve been having a great year, working on a lot of new music and touring in some incredible locations. Right now I’m back in London, where I’ve been based for the past few years, mixing a few tracks before I hit the road again.

EG: You’re now on the ramp-up to ‘Abyss’, your new EP on Dear Deer. Congratulations! So, how are you feeling about this one? Does it signal some sort of “fresh start”?

Stefan Rose: I have a lot of feelings about this EP, probably more than I usually would, as it’s been a long but rewarding road to get here. A little while ago, I decided to refine my production abilities and forge a new sound to incorporate into my DJ sets. I built an upgraded studio at home, collaborated with and learned from trusted artists whom I admire, and spent countless hours further honing this craft.

Fast forwarding to today, this EP with Dear Deer, which is a label that I’ve long respected, represents a high-water mark in that journey. This extended effort has now produced a whole new body of original work, including these two distinct yet cohesive tracks on the EP, that perfectly capture the sound I like to create in the studio and the energy I love to convey in my sets. I’m not alone in saying that it’s often the hardest to judge your own productions as an artist, which is why I truly value the reactions I get from others when they hear my music. The feedback that I’ve received on these songs from both established peers and from crowds on dancefloors around the world has been massively encouraging and beyond anything I was expecting.

EG: What will fans of Stefan Rose find on this incoming EP? Are there any details that you can anticipate about the drop with us?

Stefan Rose: Both tracks feature prominent vocals that I recorded with talented singers in London and merge them with aggressive yet uplifting melodic synth leads. I often strive to make music that has some edge and bite on the surface, but a degree of warmth and accessibility underneath.

With ‘Abyss’ for instance, the vocals have this call and response with the bassline that is dark and almost menacing, but the key change during the break gives it a lighter emotion that up until that point had only been hinted at. Similarly with ‘Out Of Time’, the lead melody is assertive and synthetic, yet the warmth of the bass and the softness of the spoken words add contrast and balance to the song. These tracks are both at the higher end intensity-wise of what I’m playing in my sets currently, and I haven’t had many gigs recently where I didn’t drop one or both of them at peak time and/or late-night moments.

EG: Can you tell us a bit about the meaning behind the title track ‘Abyss’ and the B-side ‘Out Of Time’? The names certainly project a bit of a mysterious, melancholic vibe.

Stefan Rose: I produced these two songs during a period of deep personal loss. In a relatively short amount of time, I endured the unexpected and unrelated losses of a few people with whom I was very close. I instinctively turned to music as a source of therapy, using music as medicine so to speak. It was against this backdrop that I made the decision to double down on music production, which I had spoken about earlier. The tracks channel certain emotions that I experienced during this challenging period—a feeling of being distant, as conveyed by the title ‘Abyss’, and a sense of everything being finite, as reflected in the name ‘Out Of Time’. At the end of the day, I was determined to have something positive to take away from what was otherwise a tough chapter in my life, and this EP is exactly that. I am on strong footing today in part because of it.

“I often strive to make music that has some edge and bite on the surface, but a degree of warmth and accessibility underneath”

EG: Thank you for sharing that powerful message with us. On perhaps a lighter note, you have just finished your Asia tour in Thailand and Vietnam. How did that go?

Stefan Rose: I’ve always enjoyed visiting Southeast Asia, and I’ve always loved DJing, so being able to do both at the same time is, in many ways, a dream come true. It’s a fascinating part of the world with diverse people, natural beauty, and deep history. Everything is just so different than what I’ve become accustomed to while living in the West. As someone who was a “third culture” kid, growing up in Belgium, even though I was born in and my family is from the United States, I’ve always had an affinity for foreign countries.

Of course, it also helped that the gigs were great, and I had the privilege of playing a bunch of cool venues ranging from upscale nightclubs in Bangkok to full moon beach parties in Phú Quốc. With incredible personalities, scenery, and food along the way. Not a tour I’ll be forgetting anytime soon!

EG: Getting to know the person behind the artist…are there any hobbies or passion projects other than the music driving you these days?

Stefan Rose: I spent a lot of time when I was younger with my family in Southern France, and once I entered adulthood, I really started to appreciate wine culture. I find wine to be a fascinating beverage, as different varietals, producers, regions, and vintages often have a unique story to tell. There’s an element of expression here that I think can be truly special, and in that sense, there are also some parallels with musical storytelling. I would love to open a wine bar concept at some point down the line and have even been doing some tasting trips to vineyards in France and Italy recently for research. But also for enjoyment, of course!

EG: Now, on to the state of the scene…What do you see as the biggest challenge for the music industry in the next few years, and how do you think artists can adapt?

Stefan Rose: There’s a lot to love about the scene, and I consider myself fortunate to be an active member within it. That said, one major challenge I see facing it—and this goes far beyond music, as you see it in many facets of life now—are attention spans. I think fully appreciating art, whether it’s music or film, for instance, requires a certain level of commitment, be it 5 minutes for a song or 2 hours for a movie. That can be difficult to achieve when many artists feel compelled to chase social media algorithms that reward content which hooks people within the first few seconds and penalize content that doesn’t. I don’t have a perfect roadmap for how artists can adapt to this, as I think we are all adapting in real time, but I do take solace in knowing that there are other voices in the industry who feel similarly.

“I produced these two songs during a period of deep personal loss”

EG: Looking forward, what can we expect from Stefan Rose in the coming months? Where can your fans catch you next?

Stefan Rose: I have some fun shows planned back in my adopted hometown of New York, then a couple of events in Miami, and later some gigs in Spain which I’m really excited about.

EG: Thank you so much for your time, Stefan! We wish you all the best for the future. Take care!

Stefan Rose: Thanks a bunch, guys!

Stefan Rose’s ‘Abyss’ is out now on Dear Deer Dubs. Stream and download here.

Follow Stefan Rose: Soundcloud | Website | Instagram | Facebook

The post From loss to light: Stefan Rose’s journey through the ‘Abyss’ appeared first on Electronic Groove.

Photo credit: Kawari – Facebook

Drawing from organic elements and introspective textures, his work blends rich cultural influences with ambient, downtempo, and melodic tones. The artist recently released his new EP, ‘Kali’, via Fejká’s Coexist imprint, and is currently on a European tour supporting the label head himself.

In this conversation, we dive into the inspirations behind ‘Kali’, his evolving creative process, and what it means to build sonic bridges between the tangible and the immaterial.

EG: Hi, Luca! Welcome to EG. It’s a pleasure to have you here with us. How have you been? Where are you right now?

Kawari: Hi! Is a big pleasure for me, I’m fine, and right now I’m in the car, just leaving for Munich, where I’m going to play with Fejká at the Ampere Club.

EG: First of all, congratulations on the first release of your upcoming EP, ‘Kali’. What are some of your initial feelings now that it’s out? What has the reception been like so far?

Kawari: I’m very happy because now that I have my sound in focus, I’ve managed to write an EP that is organic and where the tracks are coherent with each other. I’m very happy, therefore, that ‘Kali’ is coming out on a label that I hold in high esteem and that fully reflects my vision of music, and that publishes songs where the atmospheres are an embrace for both body and mind. I feel a sense of peace publishing on Coexist because I feel that the directions are common.

EG: So, what’s ‘Kali’ all about? What can your fans expect to find on this one?

Kawari: The songs on ‘Kali’ embody a striking duality: On one hand, the organic pulse of live percussion grounds the music in the earthly realm—an invitation to listen inward, to feel the body, to engage with tactile and instinctual sensations. On the other hand, ethereal synths, voices, and guitars evoke the world of ideas, thought, introspection, and the immaterial.

This duality converges in a musical and philosophical fusion, exploring the coexistence of these two worlds. Reality emerges as an ontological necessity; a bridge between matter and mind, driven by the human aspiration to harmonize both in a constant search for balance and peace.

EG: And on an inspirational level, is there a concept or emotion driving these four new cuts? What was the creative process like?

Kawari: I imagined music as a vehicle for the mind to think, imagine, stimulate the imagination, and that offered a door to the inner gaze; also a medium that could open up avenues of communication with other people, something that would generate an inner openness that would also reflect on the social aspect.

“If there is a soul and a message, the artist can continue his or her artistic journey”

EG: By the way, how was it that these tracks made it to Fejká’s Coexist imprint?

Kawari: The first track I wrote a few years ago was called ‘Hiraeth’, when I did not yet know Fejká, and ‘Hiraeth’ is the name of one of his wonderful records. Both Fejká and Kawari are two words that express broader concepts. Kawari is the last reflection of light on water before sunset and Fejká is not just a word, but a concept—a melodic blend between soft, dreamy atmospheres and the punchy vibe of techno. So I think there are connections, not only in music but also in worldviews.

EG: And now you get to take your live set across Europe supporting Fejká himself. What an incredible opportunity. You must be stoked about this. How are you feeling, and what can people expect from your performances?

Kawari: I’m very happy to be playing live with an artist that I really appreciate and that I’ve been listening to for a few years. I’ve prepared a set in which I play the guitar, and there will also be a part of improvisation that always changes and leaves a little room for freedom within a structured set. Touring all over Europe with a mixer, a synth, and a guitar will be magical.

EG: What does your live setup look like at the moment? What would you say is your favorite piece of equipment?

Kawari: There is nothing that stands out; my only goal is the atmosphere that is created.

EG: Now, stepping outside of the studio for a bit…What do you see as the biggest challenge for established and rising artists in the next few years?

Kawari: I believe the key is in being able to reinvent oneself and change while keeping the creativity, the soul of one’s music and message intact. If there is a soul and a message, the artist can continue his or her artistic journey.

“There is nothing that stands out, my only goal is the atmosphere that is created”

EG: Looking forward, what can we expect from Kawari? Where can your fans catch you next? What are your next scheduled shows?

Kawari: At the end of April the European tour will start from Munich, and then in May I will be in Cologne, Copenhagen, London, Dublin, Turin, and in June in Stuttgart at an event organized by Coexist, where in addition to Fejká also Stimming, an artist I love, will play.

EG: Thank you so much for your time, Luca! We wish you all the best in the future. Take care!

Kawari: Thanks so much, it has been a big pleasure, take care!

Kawari’s ‘Kali’ is out now on Coexist. Stream and download here.

Follow Kawari: Soundcloud | Spotify | Instagram | Facebook

The post Bridging matter and mind: Inside Kawari’s dual universe appeared first on Electronic Groove.

Photo credit: Jan Lamprecht

As the mind behind Nu Boheme Recordings, and a firm believer in a healthy, sustainable lifestyle within the music industry, Tobias has carved out a niche that balances cultural storytelling, musical depth, and personal wellness.

In this interview, he opens up about his latest releases, the philosophy behind his new mixes, his creative workflow, and how staying grounded physically and mentally fuels his artistic vision.

EG: Hi, Tobias! Welcome back to EG. It’s a pleasure to have you here with us. It’s been a long time. How have you been? Where are you right now?

Slow Nomaden: Hi, thanx I’m happy to chat again! It’s been a busy time with lots of new music since the last interview.

EG: First of all, thank you for your contribution to our EG Podcast. Tell fans of the series…what can they expect to find on this mix? Is there a concept running throughout? How do you usually approach these kinds of mixes?

Slow Nomaden: I’m glad to join the amazing list of artists who have contributed to the EG Podcast series. For this mix, I decided to choose some more uptempo tracks around 120 Bpm with influences of the Middle East and India. I’m a big fan of the music from these regions and wanted to showcase some of my favorite tracks at the moment that fit with the vibe of my latest releases, ‘Soni’ and ‘Spectra’, as well.

EG: Last time we spoke, you were deep into the release of ‘Boho’, which, on a personal level, served you as a way of “travelling without moving”, due to the times we were living in. How has life changed for you since then?

Slow Nomaden: Yes, the release of ‘Boho’ was a big step for me, and I’m happy how well the album has been received since. Luckily, times have changed for the positive in terms of travelling for me, so I try to travel as much as possible whenever I find time. Travelling is a big influence on my music. I feel that when I’m travelling, I can see the world with the eyes of a child again. Everything seems so new and interesting, and inspiring. These are the moments from which I draw when I’m back in the studio.

EG: By the way, congratulations on the recent drop of Xande’s remix of your collaboration with Ablozé, ‘Spectra’, which is available via your own Nu Boheme Recordings. What has the initial reception been like so far? What made you consider Xande as the perfect name for this particular remix?

Slow Nomaden: Thanks so much! I’m really happy with the reception for ‘Spectra’ and the three remixes we have released so far. Like you said, ‘Spectra’ is a collaboration with Ablozé, a very talented artist based in Cairo. Together, we decided to have some remixes to give the original some different twists. Xande (IT) is a Milanese music producer that we both admire because of his signature sound that blends deep electronic and organic elements. The remix gives the original a totally different chill vibe with laid-back piano chords and a deep bass line. Besides this one, we also released two amazing remixes by Ben Junction from Norway, who gave the track a more dark and mysterious sound, and Sebastian Hal from Israel, who created a more Progressive Oriental House tune.

“Sometimes seems like today it is more important to be a good influencer than to be a good musician”

EG: Speaking of Nu Boheme Recordings, what can we expect from the label in the coming months?

Slow Nomaden: The next release on Nu Boheme is my new single ‘Tumbi’ that is also premiered on EG’s Soundcloud on May 9th. It is an energetic organic house tune that fuses oriental instruments with electronic beats. This one is characterized by the distinctive sound of the Tumbi with its famous Punjabi vibe. Mixed with organic percussion grooves, pulsating arpeggios and a deep bass line this track will surely make you wanna dance! I also received some great Demos for the label by other artists in the last months but unfortunately I didn’t find the time to work on these releases so far as I’m too busy with my own projects. I hope to sign a few gems by other artists in the coming year when I find a bit more time to work on the label again.

EG: Since we’re on the release front, anything in the works in your studio that we should keep an eye out for?

Slow Nomaden: Indeed, as I’m working a lot in the studio there’s a lot of new material coming out soon. In June I will release a new downtempo track called ‘Acropolis’ on my label that has been inspired by a trip to Greece. I started this track with a little riff played on my acoustic guitar and the final result came out pretty cool I think. After this a new collaboration track with Think City from Nepal will be released called ‘Malabar’ that has a very positive and happy vibe. I also recently finished a new afro house track that will possibly be released in July.

EG: Now, stepping outside of the studio for a bit…we know that you exercise a very healthy lifestyle, away from any sort of drugs, and practice sports regularly. Was this a conscious decision? Did you ever get lost in the haze of the industry? What is the best recommendation you can give another artist in that sense?

Slow Nomaden: Sure, to exercise a healthy lifestyle was a conscious decision for me and I’m feeling much better since I do so. I’ve made some really bad experiences through my unhealthy lifestyle in the past, especially when I was touring as a DJ a lot. I drank far too much alcohol while performing and had too less sleep on the weekends, so I always needed a few days to recover afterwards. I also often felt exhausted, stressed or overwhelmed by a lot of things. Nowadays I am much more productive in my creative workflow and feel more in balance with myself. I’m not dogmatic in my principles though but I recommend young artists to never underestimate the use of drugs and lack of sleep for your body and mind. This lifestyle can really cause a lot of damage and cost you a lot of energy to achieve beautiful things in your creative career. I know a lot of successful DJ’s and music producers that live a healthy lifestyle as well, so the cliche of the past that you need to use drugs to be creative is really outdated in my opinion.

EG: What’s your relationship with social media like? Do you think people are now demanding more “substance” from their artists when compared to 2 or 3 years ago?

Slow Nomaden: I’m not a big fan of social media, especially of the influence it has on the music industry. As a music lover and artist I’m really tired of all the video clips with DJ’s pressing buttons or raising hands while standing in amazing places. There’s not a lot of “substance” in it in my opinion. I am still more interested in the music itself and I’m sure good music will always find its way to the listener. Of course I see that social media is an easy way for upcoming DJ’s and artists to reach a big audience in a really short time. But I don’t like the development that it has on the scene. A lot of music and a lot of artists sound so similar and superficial. I miss the creativeness and originality. For me it sometimes seems like today it is more important to be a good influencer than to be a good musician. This shouldn’t be the case in my opinion.

“Good music will always find its way to the listener”

EG: Looking forward, what can we expect from Slow Nomaden? Where can your fans catch you next? What are your next scheduled shows?

Slow Nomaden: I’m planning to start a new daytime event series in my hometown this year for people that like to dance in a healthy way in the afternoon and evening. But I can’t tell when we have the first edition yet.

EG: Thank you so much for your time, Tobias! We wish you all the best in the future. Take care!

Slow Nomaden: Thanx for having me! Best wishes!

Slow Nomaden’s ‘Spectra (Xande (IT) Remix)’ is out now on Nu Boheme Recordings. Stream and download here.

Follow Slow Nomaden: Soundcloud | Spotify | Instagram | Facebook

The post Sound, health, and soul: The Slow Nomaden story appeared first on Electronic Groove.